phil harg 04I began playing as a guitarist in a punk band in the West Midlands, where i grew up, before moving to Liverpool at the age of twenty and buying a tenor sax, both decisions that would radically shape the rest of my life. Initially I was involved in Liverpool’s pop scene, recording John Peel sessions with Personal Column, but eventually I moved via street band work into the jazz field.

After stints playing fusion and dinner jazz, I finally found the area where I could fully combine my talents, interests and influences, in improvised music, an area first stimulated by work with Peshkar theatre, and my subsequent study of Indian music with Aziz Zeria in Manchester.

I played with guitarist Phil Morton in the duo Bonehouse, and also helped establish the Frakture club in Liverpool, a club space for improvised and experimental music. Highlights of Bonehouse’s playing career included playing w/Derek Bailey and Lol Coxhill. Arising out of the Frakture work, the Frakture Big Band was a loose grouping of improvising musicians based in and around Liverpool, mostly playing Phil Hargreaves compositions – their collaboration with Simon H Fell was one of the highlights of the 1999 Frakture Festival.

In 2001 I premiered the Dislocation Sermons, a major work in collaboration with poet Dinesh Allirajah, and performed by an augmented version of the Frakture Big Band. That year also saw the release of trees, a first CD release from amere3, a trio of Phil, Simon Fell on bass and Rob Dainton on drums.

2002 saw the premier of the chaos concerto, for large improvising group and creative soloist, featuring Evan Parker and the Frakture Big Band, and also the release of a double CD of ‘postal duets’ with North Carolina guitarist Bret Hart.

In 2003, due to mental health problems I stopped playing saxophone, but eventually finished two ongoing projects, duets albums with Caroline Kraabel and Lee Noyes. Since then I have finished a further postal duet with Glenn Weyant, playing cello and singing.

In the summer of 2007 i took up the saxophone again, and recorded ‘musick for two machines’ with Barry Chabala.

2009 saw the release of ‘Imperfect Silence’, a compilation CD of contributions to the ‘cadavre esquis’ website that I curate; 2010 saw the release of ‘Human’, with Maggie Nicols, ‘Graculus’, a duo CD with guitarist Richard Harding, and a second amere3 CD.

whi music website

Introducing Phil Hargreaves
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